You may compose with it if you wish.Īs to the overall usability of DP, MOTU seems as if they’re hell-bent on modernization so I’m not going to nit-pick at this point. In fact, the Tracks tab is also referred to as the Tracks Overview in the user’s guide.ĭP 11’s QuickScribe notation is excellent for being integrated into a DAW. The other vital piece of info is that the Tracks and Sequence tabs are basically different views of the aforementioned essence of DP, the Sequence. They represent a mix of high-level editors, low-level editors, and mixing tools. The first thing to know about DP’s interface as you try to wrap your head about it, is that the tabs in the main window pane are arranged for convenience, not to convey hierarchy or workflow.
#Digital performer 5 review pro
To be fair, the tiny icon rap (or blessing if you like them) may be laid on other DAWs of the same vintage (80’s), such as Logic, Cubase, and Pro Tools. You can generally avoid finicky operations of all types by using DP’s copious computer keyboard shortcuts. These are complete and minimalist version of the control panel.ĭespite the general malleability of the interface, there are still some old-school tiny icons (zoom controls) that require a fair bit of precision with the mouse. You can customize the control bar and other portions of DP to taste. But you can also convert most of the panes to separate windows, which is very handy for multi-monitor setups.
The paned main window, or “consolidated” window in DP-speak, is where most of the action takes place by default. On the other hand, it’s also a real handful for the uninitiated because of the sheer number of options and possibilities (and other factors that I’ll get to). In other words, appearance and ease of use matter.ĭP 11’s default look is attractive and business-like, and it’s also extreme flexible and customizable-more so that any of the major DAWs, save possibly Reaper. In today’s DAW market, where basic feature sets are nearly identical, graphic interfaces and workflow have become prime delineators in the mind of many customers. Digital Performer: Interface and workflow It also supports a wide variety of control surfaces. Not only via MIDI (including the aforementioned MPE and MIDI 2.0), which has been supported from the get-go, but with the SMPTE (film) world at large. Digital Performer: Features and contentĭP’s features include: non-destructive audio editing in tracks multi-take comping with lanes a top-flight destructive audio editor (changes are permanent), audio stretching and transient editing, VCA faders for the recording engineer/editing folk articulation maps and notation (multi-instrument with lyrics) for the orchestral crowd: multi-polyphonic expression (MPE) and MIDI 2.0 features for those with MPE keyboards virtual instruments (proprietary, as well as VST 2/3 and AU) and multiple tempo/meter/key signature support.ĭP 11 is also as adept as any DAW at interfacing with the outside world. The organizational possibilities are staggering.īack to the daunting feature set. When you realize that Songs may be nested within other Songs… well, it’s party time. The real fun, however, begins when you arrange Sequences into what DP refers to as Songs (the editor shown above). However, it could just as easily be a set of songs in a set list, or a list of scenes in a movie. In this example of arranging sequences in the Song editor, you actually see a song. A long look, because it’s not a program you can dive into and immediately grasp–or want to immediately dismiss. There’s still a ways to go on the latter, but if you’ve gone to sleep on DP, you should take another look.
MOTU has been hard at work the last few years updating Digital Performer’s feature set and modernizing the interface and workflow.
#Digital performer 5 review movie
DP 11 is as powerful as any of its competitors, and it also features a unique modular approach to composition and project organization that makes it a particularly good fit for movie scoring and complex live shows. When users discuss the premier digital audio workstations (DAWs) on the market these days, the $499 Digital Performer 11-a former top dog-doesn’t always make the list. But it’s also complex with a steep learning curve. Digital Performer 11’s comprehensive feature set and unique modular organizational features make it great for film/game scoring and live multimedia events.
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